Sans Other Tigo 11 is a light, narrow, monoline, upright, tall x-height font.
Keywords: headlines, posters, branding, game ui, album art, techno, angular, futuristic, schematic, edgy, futurism, experimentation, tech aesthetic, display impact, modular construction, rectilinear, geometric, wireframe, modular, sharp-cornered.
A rectilinear, open-geometry sans built from straight, monoline strokes and crisp corners. Letterforms lean on squared counters, clipped joins, and occasional deliberate gaps or offset segments that create a constructed, wireframe feel. Proportions are compact and vertically oriented, with simplified curves translated into angled or boxed shapes; diagonals appear sparingly and read as faceted rather than smooth. Spacing and widths vary by glyph, giving the texture a slightly mechanical, hand-assembled rhythm rather than strict modular uniformity.
Best suited to display settings where its angular construction can be appreciated: headlines, posters, logos, and entertainment-oriented graphics. It also fits tech-themed UI moments (titles, labels, overlays) where a schematic, futuristic voice is desired. For long-form reading, the open joins and faceted curves can become visually busy, so larger sizes and generous leading will help.
The overall tone is futuristic and schematic, like interface lettering or plotted signage. Its angular reductions and open joins add a slightly uneasy, cyberpunk edge while remaining clean and controlled. The style feels engineered and experimental rather than neutral, prioritizing character and structure over softness.
The design appears intended to reinterpret a sans skeleton through rectilinear, engineered strokes, producing a futuristic display voice with a hand-built, modular sensibility. Its open joins and faceted curves seem aimed at creating distinctive silhouettes and a technical, constructed texture.
Distinctive details include squared, boxy bowls, single-storey constructions, and digit forms that echo the same open, rectilinear logic. The design’s intentional breaks and asymmetries create recognizable silhouettes, especially in round letters and in forms with internal corners, which helps the font stand out in short bursts.