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Sans Normal Odlid 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Radian' by Ayca Atalay, 'HF HySans' by HyFont Studio, 'Krong' by Joelmaker, 'Devinyl' by Nootype, 'Glendale' by Sarid Ezra, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, straightforward, display impact, clear signage, modern branding, friendly boldness, rounded, blocky, geometric, compact, high-contrast counters.


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This typeface is built from heavy, monoline strokes with compact, rounded geometry and cleanly finished terminals. Curves are smooth and circular, while joins and corners stay crisp, giving the letterforms a sturdy, poster-like solidity. Counters are relatively tight and the overall proportions feel compact, with robust verticals and simplified shapes that prioritize impact over delicacy. Numerals and capitals follow the same sturdy construction, producing a consistent, emphatic rhythm across text.

It performs best in large-scale applications where its weight and compact counters can deliver maximum impact—such as headlines, posters, logos, packaging, and bold UI or signage moments. For longer passages at small sizes, the tight internal spaces may reduce comfort, but it can work well for short, attention-grabbing statements and display copy.

The overall tone is bold and upbeat, with a contemporary, no-nonsense clarity. Its rounded construction softens the weight, creating an approachable feel while still reading as assertive and energetic.

The design appears intended as a heavy, geometric sans for display use, balancing strong black shapes with rounded, friendly contours. Its simplified construction and consistent stroke behavior suggest a focus on clarity, recognizability, and high visual punch in modern graphic settings.

Because of the dense stroke weight and smaller internal openings, the font’s presence increases quickly with size, and spacing may feel naturally tight in long lines. The forms remain clean and uniform, reinforcing a strong, coherent silhouette in headlines and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸