Script Oglel 8 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: invitations, branding, packaging, headlines, quotes, elegant, vintage, friendly, personal, expressive, signature feel, handcrafted tone, decorative display, warm elegance, brush-like, slanted, looping, rounded, calligraphic.
A slanted, brush-script letterform with smooth, rounded curves and moderate stroke modulation that mimics pressure from a pointed or brush pen. Strokes taper into soft terminals, with occasional thicker downstrokes and lighter entry/exit strokes that create a lively rhythm. Uppercase characters feature generous loops and open counters, while lowercase forms keep a compact body with rising ascenders and long, fluid descenders. Overall spacing feels slightly irregular in a natural, handwritten way, reinforcing the drawn character while staying visually consistent across the set.
Best used for display settings where its rhythmic strokes and looping forms can be appreciated—such as invitations, greeting cards, boutique branding, packaging labels, and short promotional headlines. It also works well for pull quotes and titles, while long passages may feel busy due to the energetic script movement.
The font reads as personable and expressive, with an elegant, slightly nostalgic tone. Its flowing motion and soft terminals give it a warm, celebratory feel suited to friendly messaging rather than strict formality. The italic slant and looping capitals add a romantic, signature-like presence.
The design appears intended to evoke a confident, hand-signed script with brush-calligraphy flair—balancing readability with expressive movement. Its consistent slant, tapered terminals, and decorative capitals suggest a focus on stylish, personable typography for prominent, short-form text.
Numerals follow the same handwritten logic, with curved, open shapes and tapered ends that integrate smoothly with the letterforms. The sample text shows good continuity of stroke flow at larger sizes, where the brush-like modulation and loops become the primary visual feature.