Sans Superellipse Wimo 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, ui display, gaming, futuristic, tech, sci‑fi, sleek, industrial, futurism, tech branding, distinctiveness, modularity, display impact, rounded corners, caps-heavy, stencil-like, modular, streamlined.
A geometric display sans built from rounded-rectangle strokes with consistently softened corners and largely uniform line thickness. Counters and bowls tend toward superelliptical shapes, and many letters use open joins and horizontal cut-ins that create a subtle stencil-like segmentation (notably in E, S, and several numerals). The overall silhouette is extended and low, with broad horizontals, compact apertures, and squared-off terminals that maintain a tight, engineered rhythm across lines of text. Numerals follow the same modular logic, with layered horizontal bars and rounded rectangular loops that keep the set visually cohesive.
Best suited for headlines, titles, and brand marks where its extended proportions and segmented details can be appreciated. It also works well for tech, gaming, and sci‑fi themed UI labels, splash screens, packaging, and event graphics—particularly at medium to large sizes where the internal separations remain clear.
The font projects a futuristic, interface-driven tone—clean, mechanical, and purpose-built. Its rounded corners soften the otherwise technical geometry, giving it a sleek, sci‑fi feel that reads as modern and synthetic rather than warm or handmade.
The design appears intended to merge a rounded-rectangular, modular construction with an engineered, forward-looking voice. By introducing systematic cut-ins and open joins while keeping stroke weight consistent, it aims to signal technology and speed without losing clarity or cohesion.
The design relies on distinctive internal notches and segmented strokes that add personality and motion, especially at larger sizes. Those details create strong branding potential but also introduce a busy texture in dense paragraphs, where the repeated cut-ins can become a prominent pattern.