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Free for Commercial Use

Sans Superellipse Ubros 6 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'MC Phuketo' by Maulana Creative, 'Impact' and 'Impact 2010' by Microsoft Corporation, 'Impact' by Monotype, and 'Impact' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, chunky, retro, friendly, poster-like, impactful display, friendly branding, retro signage, compact emphasis, rounded, soft corners, compact, blunt, ink-trap hints.


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A compact, heavy display sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and relatively even, with subtle narrowing at joins and small notches that read like mild ink-trap or punch-cut shaping in the counters. Curves are squarish and superelliptical rather than purely circular, giving O/C/G/Q and the numerals a boxy, stamped feel. Spacing is tight and the overall rhythm is dense and blocky, while lowercase forms keep a large x-height and simplified, sturdy terminals.

Best suited to short, high-impact text such as posters, headlines, packaging fronts, and logo wordmarks where a dense, chunky voice is desired. It can also work well for labels, stickers, and promotional graphics, especially when set with generous tracking or in all-caps for maximum punch.

The tone is bold and approachable, mixing a retro sign-painter energy with a toy-like friendliness. Its chunky silhouettes and soft corners feel informal and fun, with a slightly rugged, printed texture implied by the irregular interior cuts and blunt detailing.

The design appears intended to deliver maximum visual weight in a compact footprint while staying friendly and readable. By building forms from rounded rectangles and keeping terminals blunt and simplified, it aims for a versatile display look that evokes retro printing and signage without ornamental flourishes.

Uppercase and lowercase share a consistent, condensed proportion and a unified rounded-rectangle vocabulary, helping mixed-case settings look cohesive. Counters tend to be small and squarish, so the design reads best when given enough size and breathing room. Numerals match the same stout, punchy construction, suitable for attention-grabbing figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸