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Free for Commercial Use

Sans Superellipse Abnay 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Monto Grotesk' by Lucas Tillian and 'Bahn' and 'Eastlane' by Stawix (names referenced only for comparison).

Keywords: ui text, product branding, signage, editorial text, data display, clean, modern, neutral, friendly, functional, versatility, legibility, clarity, modern utility, systematic geometry, geometric, rounded, open apertures, high legibility, even rhythm.


Free for commercial use
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This sans serif has a geometric, superelliptical construction with rounded-rectangle curves and consistently even stroke thickness. Capitals are crisp and stable, with broad, open counters in letters like O, D, and P, and straightforward, squared terminals that keep the texture tidy. The lowercase is simple and highly readable, pairing circular bowls with clean joins and a single-storey “g” and “a” that reinforce a contemporary, utilitarian feel. Numerals follow the same rational geometry, with clear shapes and generous interior space that hold up well at both display and text sizes.

It suits interfaces, dashboards, and product experiences where clarity and consistent rhythm are essential. The open counters and straightforward forms also make it a solid choice for wayfinding and general-purpose editorial typography, while the clean numerals support tables, metrics, and labels.

The overall tone is modern and matter-of-fact, projecting clarity more than personality. Softened curves add a mild friendliness, while the disciplined geometry keeps it professional and technology-adjacent. It reads as calm, efficient, and dependable in longer passages.

The design appears intended as a versatile, contemporary sans built around rounded geometric primitives for predictable texture and strong legibility. Its simplified lowercase forms and calm proportions suggest a focus on everyday usability across digital and print applications.

Spacing and letterfit appear even, producing a smooth, consistent gray value in the paragraph sample. Wide openings and uncomplicated forms reduce visual noise, making the typeface feel particularly clean in mixed-case settings and in numeral-heavy contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸