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Slab Contrasted Piru 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Milo Slab' by FontFont; 'Equip Slab' by Hoftype; 'Sybilla', 'Sybilla Multiverse', and 'Sybilla Pro' by Karandash; 'MVB Dovetail' by MVB; 'Egyptian Slate' by Monotype; and 'Kondolarge' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, branding, assertive, retro, collegiate, industrial, headline, impact, heritage, legibility, authority, utility, blocky, bracketed, ink-trap feel, rounded joins, compact counters.


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A heavy, slab-serif design with broad proportions, sturdy vertical stems, and prominently bracketed slabs that read as rectangular terminals. Curves are full and slightly squarish, with counters that stay relatively compact for a dense, poster-ready color. Joins and inner corners show subtle notching/ink-trap-like relief in places, helping shapes stay open at weighty sizes. The lowercase follows the same robust construction, with a single-storey a and g, a sturdy t with a strong top bar, and a generally even, rhythmic texture across words and lines.

This font is best used where impact and presence are needed: posters, headlines, banners, and large-format signage. It can also work well on packaging and branding systems that benefit from a sturdy, heritage-leaning slab voice, especially in short phrases or titles where its dense color can shine.

The overall tone is bold and declarative, with a vintage, workmanlike character that nods to old posters, collegiate lettering, and traditional print headlines. Its strong slabs and compact interior spaces give it a confident, no-nonsense voice suited to emphatic statements and high-impact messaging.

The design appears intended to deliver maximum weight and clarity with a classic slab-serif silhouette, balancing sturdy geometry with small internal refinements that keep counters readable. It aims for a familiar, authoritative display personality that feels both vintage and practical.

Figures are equally weighty and simple, matching the letterforms’ blocky construction and staying highly legible at display sizes. The uppercase has a stable, grounded stance, while the lowercase maintains consistent heft without becoming overly condensed, producing a uniform, punchy typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸