Sans Faceted Akbi 6 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'FF Oxide Solid' by FontFont, 'Forza' by Hoefler & Co., 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, techno, athletic, retro, impact, machined look, display focus, retro tech, octagonal, chamfered, geometric, blocky, compact apertures.
A heavy, geometric sans with squared proportions and consistent stroke weight, built from straight segments and prominent chamfered corners. Curves are largely replaced by planar facets, producing octagonal counters and clipped terminals throughout. The caps read sturdy and compact, while the lowercase keeps a straightforward, utilitarian construction with minimal modulation and tight apertures. Numerals follow the same angular logic, with uniform, block-like forms and crisp internal cutouts that maintain strong color in text.
Best suited to bold display settings such as headlines, posters, team or event graphics, and logo wordmarks where its angular construction can be a defining visual feature. It also works well for packaging, labels, and UI moments that aim for an industrial or arcade-like aesthetic, particularly at medium to large sizes.
The overall tone is assertive and mechanical, with a rugged, engineered feel that suggests sports signage, hardware labeling, and sci‑fi interfaces. Its faceted geometry adds a retro-digital edge, balancing toughness with a clean, modern discipline.
The design appears intended to deliver maximum impact with a rigid, faceted construction that substitutes curves with clean corner cuts. It prioritizes a strong silhouette and a consistent, engineered rhythm for contemporary display typography with a retro-technical flavor.
The sharp corner cuts and squared counters create strong rhythm and a dense texture, especially at smaller sizes. The design favors clarity through simple geometry rather than openness, giving it a punchy, high-impact presence in headlines and short lines.