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Free for Commercial Use

Bubble Dusa 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Keepsmile' by Almarkha Type, 'Fox Natalie' by Fox7, 'Knicknack' by Great Scott, and 'Space Time' by Lauren Ashpole (names referenced only for comparison).

Keywords: kids branding, toy packaging, party invites, sticker designs, headlines, playful, cheerful, cartoonish, friendly, bouncy, fun display, approachability, cartoon styling, soft impact, logo use, rounded, blobby, soft, chunky, puffy.


Free for commercial use
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A heavy, highly rounded display face with inflated, blobby forms and softly pinched joins that give strokes a molded, gummy feel. Counters are compact and often teardrop-like, with openings kept small relative to the thick outlines. Terminals are fully rounded throughout, and curves dominate even where straight structure would normally appear, producing a bouncy rhythm and uneven, hand-shaped personality. Numerals and capitals maintain the same puffy massing, with simplified geometry and minimal internal detail for maximum silhouette impact.

Best suited for short, bold statements in headlines, logos, packaging, and promotional graphics where a warm, playful voice is desired. It works especially well for kid-focused products, casual food and beverage branding, event materials, stickers, and social graphics that benefit from friendly, bubbly letterforms.

The overall tone is lighthearted and approachable, with a cartoon sensibility that feels child-friendly and snackable. Its squishy shapes and tight counters read as playful and slightly mischievous, prioritizing charm and character over restraint or formality.

This font appears designed to deliver an inflated, cartoon display look with maximum softness and approachability. The consistent rounding, compact counters, and bouncy proportions suggest an intention to create bold, eye-catching lettering that feels hand-shaped and fun rather than precise or editorial.

The design’s readability holds best at large sizes, where the distinct silhouettes of each glyph can separate cleanly; at smaller sizes the small counters and dense weight can cause letters like B/8, O/0, and c/e to converge visually. The slightly irregular shaping and varying bowl proportions add energy and help avoid a purely geometric, uniform look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸