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Slab Contrasted Isvu 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Rama Slab' by Dharma Type, 'Table Wood JNL' by Jeff Levine, 'Denso Serif' and 'Industrial Gothic' by Monotype, 'Lehmann Egyptian' by ParaType, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, western, poster, authoritative, vintage, space saving, high impact, heritage display, signage clarity, blocky, condensed, octagonal, wedge serif, engraved.


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A compact, condensed slab-serif with heavy vertical emphasis and squared, chamfered corners throughout. Strokes are sturdy and largely uniform, with short, blunt slab terminals that often read as wedge-like notches. Counters are tight and rectangular, and many joins and curves are simplified into faceted, almost octagonal shapes (notably in C, G, O, and S). The lowercase follows the same rigid construction, with narrow bowls and strong, straight-sided stems; numerals are similarly tall and angular for consistent texture in mixed settings.

Best suited to headlines, posters, labels, and signage where a compact width and strong presence are advantages. It can also work for brand marks and packaging that want an industrial or heritage feel, especially at medium to large sizes where the angular detailing remains clear.

The overall tone is bold, utilitarian, and slightly nostalgic, evoking lettering seen on posters, signage, and workwear branding. Its compressed rhythm and chiseled detailing give it a no-nonsense, assertive voice with a subtle old-time or frontier flavor.

The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a rugged slab-serif character. Its faceted curves and blunt terminals suggest a goal of creating a strong, poster-ready voice reminiscent of traditional display lettering.

In text settings the dense spacing and tight counters create a dark, emphatic color that favors impact over airiness. The faceted curves and clipped corners stay consistent across caps, lowercase, and figures, helping the design feel cohesive in headlines and short blocks of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸