Sans Superellipse Liwa 16 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Navine' by OneSevenPointFive, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui design, app branding, headlines, signage, packaging, techy, friendly, modern, clean, quirky, ui clarity, geometric system, approachable tech, modular consistency, rounded, soft-cornered, monoline, squared-round, modular.
A monoline sans with squared-round construction: many curves resolve into rounded rectangles and softened corners rather than perfect circles. Strokes are consistently thick with minimal contrast, terminals are largely blunt or gently rounded, and counters stay open and rectangular, giving the shapes a crisp, engineered feel. Proportions lean compact with a tall lowercase presence, while spacing and rhythm remain even and legible across both caps and lowercase. The numerals and punctuation follow the same superelliptical geometry, reinforcing a cohesive, modular system.
Well-suited for interface typography, product and tech branding, and short-to-medium headlines where its clean geometry and soft corners read confidently. It can also work for wayfinding and packaging that benefits from a modern, friendly voice and strong letterform consistency.
The overall tone is contemporary and approachable, combining a digital, UI-like precision with softened corners that keep it from feeling cold. Its slightly unconventional, squared-round curves add a mild retro-futurist quirk, making it feel playful without becoming decorative.
The design appears intended to deliver a modern geometric sans built from rounded-rectangle primitives, balancing machine-like structure with human-friendly softness. It prioritizes clarity and a consistent modular rhythm, aiming to feel at home in digital environments while remaining distinctive in branding.
Several letters show deliberate geometric decisions—rounded-rect bowls, squared arcs, and simplified joins—creating a strong, repeatable pattern across the set. The lowercase forms read particularly clearly at display sizes, with distinctive silhouettes that help differentiate similar characters in running text.