Sans Normal Opdif 9 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Impara' by Hoftype, 'Basel Neue' by Isaco Type, 'JAF Bernini Sans' by Just Another Foundry, 'Big Vesta' and 'Dialog' by Linotype, 'Skeena' by Microsoft Corporation, 'Organic Pro' by Positype, and 'Cora' by TypeTogether (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, friendly, confident, contemporary, approachable, punchy, impactful display, friendly branding, clear signage, modern utility, rounded, open apertures, large counters, compact, sturdy.
A heavy, rounded sans with soft corners and smooth, circular curves. Strokes are consistently thick with gently modulated joins, producing large, open counters and clear interior spaces even at dense weights. Proportions are compact with relatively short ascenders/descenders, and the overall rhythm reads steady and even. Terminals are clean and blunt rather than tapered, giving the letters a solid, contemporary presence.
It performs best in headlines, logos, and brand systems that need a strong, friendly sans. The weight and open counters also work well for short paragraphs, callouts, and UI labels where clarity is important and the tone should remain approachable. It’s particularly effective on packaging and promotional materials that benefit from bold, rounded typography.
The tone is friendly and approachable, with a confident, attention-grabbing voice. Rounded forms soften the impact of the heavy weight, keeping it warm rather than aggressive. Overall it feels modern and practical, suited to straightforward messaging that still wants personality.
The design appears intended to deliver a modern, robust sans that balances impact with warmth. Its rounded geometry and open interior spaces suggest a focus on legibility at large sizes and a welcoming, contemporary brand feel.
The figures are robust and simple, matching the letterforms’ rounded construction and maintaining clear differentiation at display sizes. Uppercase shapes lean on broad, geometric curves while lowercase maintains readability through open apertures and generous counters, helping the font hold up in short text blocks and headlines.