Cursive Obreg 10 is a very light, very narrow, low contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, personal notes, packaging, social media, casual, friendly, airy, lively, personal, handwritten feel, casual elegance, personal tone, light texture, everyday script, monoline, looping, bouncy, tall ascenders, long descenders.
A delicate, monoline handwritten script with a noticeable rightward slant and a tall, narrow rhythm. Strokes are smooth and lightly drawn, with rounded turns, occasional looped entries/exits, and a slightly springy baseline that keeps the texture informal. Letterforms stay relatively open and uncluttered, with long ascenders/descenders and compact lowercase bodies that give lines a light, vertical cadence. Capitals are simple and airy, leaning toward single-stroke construction rather than ornate swashes, helping maintain an even color in text.
This style works well for short-to-medium display copy where a personal, handwritten feel is desired—invites, greeting cards, product labels, boutique packaging, and social posts. It can also serve as an accent face paired with a clean sans for headings, signatures, pull quotes, and callouts where lightness and friendliness are key.
The overall tone is warm and conversational, like quick neat penmanship in a journal or note. Its light touch and buoyant motion feel approachable and relaxed, with a subtly playful energy that suits informal messaging and human-centered branding.
The design appears intended to mimic quick, tidy cursive written with a fine pen—prioritizing natural motion, simplicity, and a light, airy texture over formal calligraphic complexity. It aims to deliver a personable, everyday handwriting voice that remains coherent in phrases and short paragraphs.
In the samples, spacing and joins produce a continuous handwritten flow without heavy connecting strokes, keeping words legible while retaining an organic, hand-drawn irregularity. Numerals match the same slim, looping character, blending well with the alphabetic forms rather than feeling like a separate style.