Sans Superellipse Edrig 6 is a light, very narrow, low contrast, italic, tall x-height font visually similar to 'Anguita Sans' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, modern, technical, elegant, efficient, cool, space saving, modernize, add speed, clean branding, ui efficiency, condensed, monolinear, oblique, upright terminals, rounded corners.
A condensed, oblique sans with monolinear strokes and smoothly rounded corners that read as superelliptic rather than purely circular. The design is built from tall, narrow proportions with generous counters, producing a clean vertical rhythm and strong line economy. Curves resolve into straight segments with soft transitions, and terminals tend to be simple and open, keeping silhouettes crisp even at tight widths. Numerals follow the same narrow, streamlined logic, with minimal ornament and consistent stroke behavior across the set.
Best suited to headlines, subheads, and short bursts of text where a compact footprint and fast, modern texture are desirable. It can work well for brand marks, packaging callouts, and UI labels where vertical economy matters, especially when paired with comfortable tracking. For longer passages, larger sizes and ample leading help preserve readability.
The overall tone is modern and pragmatic, with a sleek, engineered feel. Its narrow, slanted posture adds urgency and forward motion, while the rounded geometry keeps it approachable rather than harsh. The result feels contemporary and efficient—suited to branding that wants clarity with a subtle sense of speed.
This font appears designed to deliver a space-saving, contemporary voice with a dynamic slant and a distinctly rounded-rectilinear construction. The intent seems to balance a technical, streamlined impression with friendly softness, making it adaptable to both editorial display and product-oriented communication.
Because the letterforms are so narrow and the slant is pronounced, spacing and word shapes become a primary feature of the texture; it looks most confident when given enough tracking and line height. The rounded-rectangle construction is especially evident in bowls and curves, which maintain a controlled, uniform softness across the alphabet and figures.