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Free for Commercial Use

Sans Contrasted Milup 5 is a very light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, magazine, packaging, elegant, fashion, modern, airy, precise, display impact, luxury feel, geometric purity, editorial tone, geometric, hairline, monoline accents, art deco, minimal.


Free for commercial use
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A refined sans with dramatic thick–thin behavior: needle-like hairlines and vertical stems contrast with rounded, inky bowls and occasional wedge-like terminals. Many forms are built from near-circular arcs and straight strokes, creating a crisp geometric skeleton with deliberate gaps and tapered joins. Spacing and proportions feel intentionally uneven in places, giving the design a kinetic rhythm; diagonals (V/W/X/Y) are especially sharp and linear, while round letters (O/C/G/Q) read as smooth rings with thin entry/exit strokes. The lowercase follows the same logic with single-storey a/g, compact counters, and tall, filament-like ascenders and descenders that emphasize verticality.

Best suited for headlines, branding, logotypes, and short editorial lines where the extreme contrast and geometric construction can read clearly. It works particularly well in upscale contexts such as fashion, beauty, art/culture posters, boutique packaging, and title treatments; for body text, it will typically need generous size and careful output conditions.

The overall tone is sleek and editorial, mixing minimal geometry with a touch of theatrical contrast. It feels luxe and display-forward—more like a fashion masthead or gallery identity than a neutral workhorse—while the hairline details add a delicate, high-end finish.

The design appears intended to deliver a contemporary, geometric display sans with couture-level contrast—prioritizing striking silhouettes and a refined, airy texture over utilitarian neutrality. Its stylization and hairline detailing suggest a focus on memorable branding and high-impact typography.

The font relies on very fine strokes and open joins that may soften or disappear at small sizes or in low-resolution reproduction, while larger settings highlight its crisp structure and stylized construction. Numerals echo the same contrast and circular logic, with several figures leaning on thin diagonals and open curves for a light, airy texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸