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Free for Commercial Use

Inline Ashy 4 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, merch, industrial, stencil, retro, rugged, display, texture, impact, signage, branding, poster type, geometric, segmented, blocky, notched, striped.


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A very heavy, geometric sans display with rounded outer curves and sharp, squared terminals. Each letterform is carved by repeated vertical cut-ins and small rectangular voids, creating an inline-like, segmented rhythm that breaks the black mass into stripes. Counters are generally compact and simplified, while joins and diagonals are reinforced to keep the overall silhouette sturdy. The texture is consistent across uppercase, lowercase, and figures, producing a patterned, mechanical look that reads as solid shapes interrupted by systematic cutouts.

Best suited for large-scale display typography such as posters, album/playlist art, headlines, and branding marks where the striped cutouts can be clearly seen. It can also work well on packaging, labels, and merchandise graphics that benefit from an industrial or retro-stencil texture. For longer passages, it’s more effective in short bursts (titles, pull quotes) than in continuous body text.

The cut-and-striped construction gives the face an industrial, utilitarian tone with a retro sign-paint and stenciled vibe. It feels bold, assertive, and slightly rugged—more about graphic impact and texture than quiet readability. The repeated voids add a kinetic, machined character that suggests equipment labeling, packaging marks, or club-poster energy.

The design appears intended to merge a bold geometric skeleton with systematic internal carving, producing a distinctive striped texture while maintaining strong, recognizable silhouettes. The consistent cutout language across the set suggests an emphasis on cohesive patterning for high-impact display use in print and screen.

At smaller sizes the internal cutouts can visually merge, so the design’s signature texture is most effective when given room. The lowercase largely echoes the uppercase structure, emphasizing uniformity and pattern over traditional text-color balance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸