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Sans Rounded Gyly 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Antipasto Pro', 'Arista Pro', and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).

Keywords: branding, headlines, packaging, ui labels, posters, friendly, playful, modern, approachable, clean, warmth, approachability, simplicity, contemporary feel, soft geometry, rounded, soft, geometric, bubblelike, high contrast-free.


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A rounded, monoline sans with generously softened corners and fully rounded stroke endings throughout. The design leans geometric in its bowls and counters, with near-circular forms in letters like O/o and a smooth, even rhythm across the alphabet. Uppercase shapes are sturdy and simple, while lowercase characters maintain open apertures and clear counters; ascenders and descenders are present but kept visually tidy. Diacritics aren’t shown, but the punctuation and numerals displayed follow the same soft-terminal logic, with a clean, consistent stroke thickness and minimal modulation.

Well suited to branding systems, headlines, posters, and packaging where a friendly, modern voice is needed. It can also work for UI labels and short bursts of copy thanks to its clean shapes and consistent stroke weight, especially at medium-to-large sizes where the rounded detailing reads crisply.

The overall tone is warm and approachable, with a playful, contemporary friendliness that reads as inviting rather than technical. Its rounded finishing and buoyant curves give it an easygoing personality suited to casual, consumer-facing communication while still feeling controlled and coherent.

The design appears intended to deliver a contemporary sans that feels human and welcoming by emphasizing rounded terminals, simplified construction, and evenly weighted strokes. It prioritizes smooth texture and visual comfort, aiming for broad, casual readability with a distinctive soft-edged character.

Distinctive rounded terminals and smooth joins create a “cushioned” silhouette that stays consistent from caps to lowercase. The sample text suggests good clarity at larger sizes, where the soft geometry and open counters are most apparent, while the overall texture remains even and calm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸