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Free for Commercial Use

Wacky Ikva 8 is a bold, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, horror titles, album covers, game titles, event flyers, gothic, spooky, grunge, chaotic, fantasy, atmosphere, texture, dramatic display, thematic branding, ornamentation, blackletter, fractured, distressed, angular, ornate.


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A decorative blackletter-inspired design with sharp, polygonal strokes and chiseled terminals. Many letters are built from heavy, slab-like verticals and angular bowls, while the interiors show irregular “crack” voids that interrupt stems and counters in a consistent, distressed pattern. Capitals often take on shield-like silhouettes with pointed tops, and several forms lean toward simplified, geometric Fraktur cues rather than fully calligraphic curves. Spacing and widths vary noticeably across letters, creating a jagged rhythm; lowercase combines narrow, pillar-like forms (i, l, t) with chunkier, faceted shapes (a, e, o). Numerals echo the same carved, fractured construction, reading as ornamental rather than strictly utilitarian.

Best used as a display face for posters, title treatments, packaging, and themed branding where a dramatic, ominous texture is desirable. It suits horror and fantasy headlines, music artwork, game UI title screens, and seasonal or haunted-attraction promotions. For readability, it performs best in short bursts—logos, headings, and pull quotes—rather than long body copy.

The overall tone is dark and theatrical—evoking carved stone, broken glass, or cracked metal. The distressed detailing and angular structure give it a sinister, haunted energy with a playful edge, suited to exaggerated, attention-grabbing display settings rather than neutral text.

The design appears intended to merge blackletter structure with a deliberately fractured, weathered surface, creating an illustrative headline font that reads as “carved” and unstable. Its irregular texture and angular construction aim to deliver immediate atmosphere and character over typographic neutrality.

The crack-like cutouts are visually prominent even at moderate sizes, adding texture but reducing clarity in dense paragraphs. The design favors hard angles and flat joins over smooth pen-like modulation, giving the face a constructed, emblematic feel that works well in short words and titles.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸