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Free for Commercial Use

Solid Ledi 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Screen Logger' by FontFont, 'Muller Next' by Fontfabric, 'Bumper' by HVD Fonts, 'Allotrope' by Kostic, 'Sans Beam' by Stawix, 'Herokid' by W Type Foundry, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, kids media, playful, retro, chunky, cartoon, wacky, attention grabbing, retro character, playful display, bold signage, rounded, blobby, soft corners, stencil cuts, ink-trap notches.


Free for commercial use
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A heavy, rounded display face built from bulbous, blocky forms with softened corners and minimal modulation. Many letters incorporate small rectangular nicks and notch-like cut-ins that create a chiseled, stencil-ish rhythm and help separate shapes where counters would normally appear. Counters are frequently reduced or collapsed, and several glyphs rely on exterior silhouette more than interior openings, producing compact, punchy letterforms with irregular edge behavior. The overall texture is dense and dark, with bouncy widths and slightly uneven internal spacing that reads intentionally quirky rather than geometric.

Works best for short, high-impact text such as posters, headlines, logo wordmarks, badges, and product packaging where bold silhouettes carry the message. It also suits playful branding, kids-oriented materials, and retro-themed graphics where an intentionally chunky, quirky texture is an advantage.

The font communicates a playful, offbeat attitude with a retro novelty flavor. Its chunky silhouettes and quirky cut-ins feel cartoonish and toy-like, suggesting humor, whimsy, and a handmade display sensibility rather than a sober or technical tone.

The design appears intended to deliver maximum visual weight and personality through rounded slabs and deliberate cut-ins, creating recognizable shapes even when counters are minimized. It prioritizes bold presence and novelty character for display settings over neutral readability in small sizes.

Because interior openings are limited or simplified, differentiation between similar shapes depends strongly on the distinctive notches and silhouette cues. In longer lines the heavy color can build quickly, so generous tracking and ample line spacing help maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸