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Free for Commercial Use

Inline Hyru 2 is a regular weight, narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, signage, art deco, vintage, theatrical, playful, elegant, decorative impact, vintage signage, space-saving display, ornamental texture, brand character, inline, ornamental, display, monoline accent, high-waisted.


Free for commercial use
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A condensed display face built from solid strokes split by a fine inline channel that runs through stems, bowls, and diagonals. The drawing mixes simple geometric construction with softly rounded joins and occasional bulb-like terminals, giving curves a polished, sign-painter feel while keeping edges crisp. Capitals are tall and narrow with clean, open counters; diagonals (V, W, X, Y) show strong linear rhythm from the parallel striping effect. Numerals and lowercase follow the same inline logic, with single-storey forms and a slightly whimsical, hand-finished flavor despite overall consistency.

Best used in display settings such as posters, event titles, packaging labels, storefront or menu headings, and logo wordmarks where the inline cut lends instant ornament. It performs particularly well at medium-to-large sizes where the interior channel remains distinct and the condensed stance saves horizontal space.

The inline detailing and condensed proportions create a vintage, stage-poster atmosphere—part Art Deco, part classic shop signage. It reads as stylish and theatrical, with enough quirky terminal treatment to feel friendly rather than severe. The overall tone is decorative and attention-seeking, suited to moments where personality matters more than neutrality.

The design appears intended to deliver a decorative inline look reminiscent of engraved, neon, or lettered signage, combining narrow, upright structure with a built-in highlight line for instant flair. Its consistent striping across the character set suggests a focus on creating a cohesive ornamental texture for prominent typographic moments.

The inline channel becomes a dominant texture at larger sizes, producing a striped shimmer especially on vertical-heavy letters and wide diagonals. Some glyphs introduce small ball terminals and exaggerated hooks, adding charm but also increasing stylistic specificity. Spacing appears intentionally airy for a narrow design, helping the interior striping stay legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸