Sans Other Waty 3 is a very bold, very wide, low contrast, italic, tall x-height font.
Keywords: headlines, posters, logotypes, sports branding, gaming ui, futuristic, aggressive, sporty, techno, arcade, impact, speed, modernity, sci‑fi styling, branding, angular, geometric, slanted, blocky, compact counters.
A heavy, angular sans with a pronounced forward slant and a dynamic, cut-from-panels construction. Strokes stay consistently thick with squared terminals, while corners are aggressively chamfered into wedges and notches that create a faceted silhouette. Counters are tight and often rectangular (notably in O, D, P, and 0), giving letters a compact, engineered feel. The lowercase follows the same geometric logic with simplified forms and a high visual center, and the numerals echo the same sharp, segmented shaping for a cohesive set.
Best suited for short, high-impact settings like headlines, posters, team or event branding, game titles, and UI labels where a techno-sport attitude is desirable. It also works well for packaging callouts, badges, and motion graphics where the forward slant and faceted shapes can reinforce speed and energy.
The overall tone is fast, forceful, and futuristic, with a strong association to motorsport graphics, arcade/console aesthetics, and sci‑fi interface lettering. The slant and chiseled edges add urgency and motion, making the font feel assertive and performance-driven rather than neutral or conversational.
The letterforms appear designed to communicate motion and modernity through a consistent system of slanted geometry, beveled corners, and compact rectangular counters. The aim seems to be a distinctive, high-energy display style that stays coherent across uppercase, lowercase, and figures while prioritizing visual punch over quiet readability.
The design relies on stylized cuts and asymmetric detailing (such as angled crossbars and small internal breaks) to suggest speed and machinery. In longer text blocks it reads as a strong display face; the dense counters and sharp joins can make small sizes feel busy, especially where diagonal cuts create narrow apertures.