Sans Superellipse Idmil 1 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Sicret' by Mans Greback, 'Little Moon' by Umka Type, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, retro, playful, punchy, industrial, poster-ready, space-saving impact, retro display, geometric simplicity, brand presence, condensed, blocky, rounded, geometric, compact.
A compact, heavy display sans built from rounded-rectangle and superellipse geometry. Strokes are consistently thick with minimal contrast, producing solid, block-like letterforms with generous internal rounding. Counters tend to be small and tightly enclosed, and terminals are blunt with soft corners rather than sharp cuts. Overall spacing and proportions favor a tall, condensed rhythm, creating dense word shapes that stay highly graphic at large sizes.
Best suited for large-scale text where its chunky geometry and condensed rhythm can read as a strong graphic statement—headlines, posters, packaging, signage, and punchy brand marks. It can also work for short UI labels or badges when sizes are kept large enough to preserve the small counters and tight apertures.
The font conveys a bold, retro-leaning energy with a playful, toy-like softness from its rounded corners. Its dense silhouettes and chunky forms give it a confident, industrial feel while still reading friendly rather than aggressive. The overall tone is attention-grabbing and headline-oriented, suited to designs that want impact with a touch of nostalgia.
Likely designed as a bold, compact display face that maximizes impact in limited horizontal space. The rounded-rectangle construction suggests an intention to feel modern and geometric while echoing mid-century and arcade-era display lettering. Emphasis appears to be on consistent texture, strong silhouettes, and straightforward, sign-friendly readability at headline sizes.
The design leans into simplified, near-stencil-like shapes in a few characters, with tight apertures and compact counters that can close up visually at smaller sizes. Numerals match the same heavy, rounded construction and read as sturdy, sign-like figures. The overall texture across lines is dark and uniform, emphasizing mass and silhouette over fine detail.