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Free for Commercial Use

Slab Square Yibi 8 is a bold, very narrow, medium contrast, italic, normal x-height font.

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, urgent, retro, assertive, space saving, high impact, speed cue, display clarity, industrial tone, condensed, slab-serif, square terminals, tall caps, angular.


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A tall, tightly condensed slab-serif italic with squared-off terminals and a strong forward slant. Strokes are heavy and mostly straight-sided, with small slab serifs that read as crisp blocks rather than flared wedges. Curves (as in C, G, O, S) are narrowly drawn and slightly squared in feeling, keeping the overall geometry angular and engineered. Counters are compact, joins are clean, and the rhythm is vertical and high-contrast in silhouette, producing a dense, punchy texture in lines of text.

Well-suited to short, high-impact settings such as headlines, posters, sports or motorsport-style branding, and attention-grabbing packaging. It can also work for signage or labels where a condensed footprint is helpful and the message benefits from an energetic, industrial voice. For longer text, it’s likely most comfortable in small bursts or callouts rather than extended reading.

The font conveys speed and pressure—like compressed lettering built for impact and quick recognition. Its rigid, square detailing and slanted posture give it an industrial, performance-oriented tone that can feel sporty or utilitarian depending on context. Overall it reads confident and emphatic, with a retro edge reminiscent of headline lettering and mechanical signage.

The design appears intended to deliver maximum punch in minimal horizontal space, combining a condensed build with sturdy slab details and an italic slant to suggest motion. Its square-ended finishing and firm, upright construction aim for clarity and strength at display sizes while preserving a consistent, engineered texture across letters and figures.

Uppercase forms are especially tall and uniform, creating a strong display presence, while the lowercase maintains the same condensed, upright-to-slanted discipline without becoming delicate. Numerals match the narrow stance and blocky finishing, staying clear and forceful at headline sizes. The dense spacing and compact counters suggest best results when given some breathing room in tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸