Sans Superellipse Teguk 3 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Geogrotesque Condensed Series' by Emtype Foundry, 'CF Blast Gothic' by Fonts.GR, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, rugged, playful, punchy, retro, visual impact, printed texture, retro display, compact fit, condensed, blocky, rounded corners, worn edges, inked texture.
This typeface is a condensed, heavy sans with rounded-rectangle construction and softly bulged strokes. Counters are compact and often slightly irregular, while terminals and corners show a subtly distressed, stamped edge that breaks the otherwise solid silhouette. The vertical emphasis is strong, with tall straight stems and tight internal spacing, and the overall rhythm feels lively due to small inconsistencies in curvature and edge detail across glyphs.
Best suited for display settings where impact matters: posters, headlines, event graphics, packaging, and bold logo wordmarks. It can also work for short blurbs or pull quotes at generous sizes, but the heavy color and distressed detailing make it less appropriate for long-form reading or small UI text.
The font reads loud and energetic, with a tactile, printed feel that suggests something hand-inked or press-made rather than purely digital. Its narrow, chunky shapes give it an assertive voice, while the rounded forms and roughened edges add approachability and a bit of mischief. Overall it leans toward a retro poster and DIY display tone.
The design appears intended to deliver a compact, high-impact voice with a tactile print character. By combining condensed proportions with rounded-rectangle forms and lightly worn edges, it aims to feel both sturdy and handmade—well suited to bold branding and attention-first typography.
In the text sample, the dense weight and narrow set create a dark texture on the line, and the distressed edges become more noticeable at larger sizes. Round letters like O and Q stay squarish with softened corners, reinforcing the rounded-rectangle theme, while figures are equally bold and compact for attention-grabbing numerals.