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Free for Commercial Use

Sans Superellipse Ogguw 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Adhesive Letters JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Imagine Pro' by Salamahtype, 'ME Plastic' by Sudtipos, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, punchy, retro, cartoonish, friendly, impact, approachability, compactness, display clarity, brand voice, rounded corners, blocky, compact, softened, high-impact.


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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing sturdy, dark silhouettes and a tight rhythm in text. Counters tend to be small and squarish, and many joins are gently radiused rather than sharp, giving the shapes a molded, superelliptical feel. The lowercase is simple and utilitarian, with single-storey forms and short, blunt terminals; figures are equally blocky and built for impact rather than delicacy.

Best suited for headlines, short calls-to-action, and branding where a compact, high-ink shape is advantageous. It works well on posters, packaging fronts, stickers, and signage that needs immediate readability and a friendly presence. In longer text or small sizes, generous tracking and leading help preserve clarity.

The overall tone is bold and approachable, with a toy-like, retro display energy. Its rounded geometry reads friendly rather than aggressive, while the dense weight and compact width make it feel assertive and attention-grabbing. The result is a lively, poster-ready voice that suggests fun, games, and informal branding.

The design appears intended to deliver maximum visual impact in a compact footprint while staying approachable through rounded-rectangle geometry. It prioritizes bold silhouettes, consistent stroke mass, and simplified forms to create a coherent, display-focused texture across letters and numerals.

Because the counters are tight and the weight is substantial, the font’s strongest performance is at larger sizes where the internal spaces stay clear. The uppercase set feels especially strong and logo-like, while the lowercase maintains the same squared, rounded-corner logic for a consistent texture across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸