Distressed Itmog 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Bilya Layered' by Cerri Antonio, 'Animo' by Durotype, and 'Milk & Clay' by loryn ipsum (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, apparel, playful, handmade, gritty, casual, comedic, handmade feel, add texture, boost impact, casual branding, brushy, chunky, blobby, textured, rounded.
A chunky, rounded display face with heavy strokes and visibly rough, brush-like edges. Letterforms are largely monoline in feel with softly inflated bowls and terminals, then interrupted by irregular ragging, small nicks, and textured contours that suggest dry brush or worn printing. Counters stay fairly open for the weight, while joins and curves show slight wobble and unevenness that reinforces the handmade construction. Spacing and widths are not strictly uniform, giving the line a lively, slightly bouncy rhythm in text.
Best suited to short, high-impact text such as posters, headlines, labels, and packaging where the distressed edge can be appreciated. It also fits merch graphics, stickers, social posts, and playful branding that benefits from a bold handmade voice. For longer passages, it will generally work better in short bursts or larger sizes to preserve clarity of the textured edges.
The overall tone is friendly and mischievous, combining bold cartoon energy with a scrappy, distressed texture. It reads as informal and approachable rather than refined, with an arts-and-crafts character that adds personality and motion. The roughness contributes a slightly rebellious, street-poster attitude without becoming chaotic.
The design appears intended to deliver a bold, friendly display voice with deliberate roughness, evoking brush lettering and imperfect print texture. It prioritizes character and immediacy over precision, aiming for an energetic, handcrafted look that feels informal and attention-grabbing.
Round glyphs (like O and 8) emphasize thick, soft silhouettes, while diagonals and vertices (like K, V, W, X) keep a brush-cut look at the ends. Numerals match the same chunky, textured treatment, and punctuation appears robust enough to hold up at display sizes.