Sans Faceted Afso 7 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Godiva' by Suby Studio, 'Delgos' by Typebae, and 'Reigner' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, packaging, industrial, techno, athletic, retro, impact, ruggedness, signage, futurism, octagonal, chamfered, angular, stencil-like, geometric.
A compact, heavy display sans built from straight strokes and clipped corners, replacing curves with small chamfers and planar facets. Counters are tight and mostly rectangular, and joins are crisp, producing a rigid, engineered silhouette. The rhythm is consistent and blocky, with squared terminals, minimal modulation, and a slightly segmented feel in rounded letters like C, O, and S. Numerals and capitals carry the same faceted geometry, creating a uniform, mechanical texture in setting.
Best suited for short, high-impact text such as headlines, posters, team or athletic marks, game titles, and bold UI labels where a strong geometric texture is desirable. It can also work on packaging or signage that benefits from an industrial, technical feel, but the tight counters and angular detailing are most effective at medium-to-large sizes.
The overall tone is assertive and utilitarian, with a rugged, machine-made character. Its faceted forms evoke sporty lettering, arcade-era graphics, and industrial signage, giving text a decisive, no-nonsense presence.
The design appears intended to translate a bold sans into a faceted, engineered aesthetic that reads as sturdy and modern. By systematically chamfering corners and constraining counters, it aims to deliver a compact, high-contrast silhouette and a distinctive, hard-edged voice for display typography.
Diagonal cuts appear repeatedly at outer corners and some inner joins, which helps distinguish forms while maintaining a strict geometric system. The lowercase keeps a compact, single-storey approach (e.g., a, g) that reinforces the constructed, display-forward voice, and the punctuation adopts the same squared, hard-edged logic.