Sans Superellipse Onlip 2 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui design, app branding, tech logos, product labels, wayfinding, futuristic, technical, clean, geometric, playful, modernize, system cohesion, brand distinctiveness, digital clarity, geometric warmth, rounded corners, squared rounds, low contrast, open apertures, soft terminals.
A geometric sans with superelliptical construction: bowls and counters read like rounded rectangles, and curves transition into flats with crisp, softened corners. Strokes are consistently even, producing a low-contrast, engineered feel. Many letters show open, cut-in apertures and short horizontal terminals, while circular forms (like O/o and 0) lean toward squarer silhouettes rather than true circles. The overall rhythm is broad and steady, with compact joins and simplified structures that keep shapes clear at display and interface sizes.
Well-suited to user interfaces, dashboards, and product branding where a clean, geometric voice is needed. Its distinctive rounded-square forms can add recognizable character to logos and headlines, while the even stroke and open shapes support short-to-medium text in digital and environmental applications.
The tone is modern and tech-forward, balancing precision with friendliness thanks to the rounded-square geometry. It suggests contemporary digital products, sci‑fi styling, and streamlined industrial design, while staying approachable rather than austere.
The design appears intended to merge geometric clarity with a softened, contemporary silhouette, using superelliptical forms to create a signature look that feels both technical and friendly. It prioritizes consistency across uppercase, lowercase, and numerals for cohesive system typography.
Distinctive corners and superellipse bowls give strong branding character, especially in the uppercase. Numerals follow the same squared-round logic, keeping a cohesive system for UI readouts and signage. The punctuation shown in the sample text blends in quietly, letting the letterforms carry the personality.