Sans Other Gave 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Dic Sans' by CAST, 'Muller Next' by Fontfabric, 'FS Jack' by Fontsmith, 'Allotrope' by Kostic, and 'Ambra Sans' and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, playful, retro, punchy, friendly, cartoon, display impact, brandable, retro pop, legibility in bold, rounded, blocky, soft corners, stencil-like, high impact.
A heavy, blocky sans with rounded outer curves and crisp, straight cut-ins that create a subtle stencil-like feel. Counters are compact and sometimes teardrop-shaped, with frequent wedge notches and ink-trap-like bites that sharpen joins and add rhythm in dense settings. Proportions lean toward large, open lowercase forms with a strong x-height and simplified construction, while terminals stay mostly flat and squared off. Overall spacing reads tight and headline-oriented, producing a solid, poster-like texture across lines.
Best used where strong presence and character are needed: posters, headlines, short slogans, packaging fronts, and logo wordmarks. It can also work well for playful signage, thumbnails, and bold UI/cover moments, especially at medium to large sizes where the internal cutouts and counters stay clear.
The letterforms project a cheerful, retro display energy—confident and attention-grabbing without feeling aggressive. The mix of soft curves and angular cutouts adds a quirky, game-like personality that feels approachable and slightly mischievous, suited to bold, fun-forward messaging.
The design appears intended as a high-impact display sans that balances mass and legibility through strategic cut-ins and compact counters. Its construction suggests an aim to deliver a memorable, branded texture in big type, with a retro-pop tone suitable for energetic commercial and entertainment contexts.
Distinctive interior cutouts and notches show up consistently across letters and numerals, helping prevent heavy shapes from clogging at large sizes and giving the face a recognizable signature. Round letters (O, Q, g, 8, 9) emphasize the font’s playful geometry, while the squared shoulders and flat terminals keep it firmly in a robust, graphic register.