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Free for Commercial Use

Pixel Dash Fiba 5 is a light, very narrow, medium contrast, upright, tall x-height font.

Keywords: display, ui labels, headlines, posters, tech branding, techy, industrial, retro, mechanical, utilitarian, readout mimicry, digital texture, compact display, systematic rhythm, segmented, monoline, modular, gridded, staccato.


Free for commercial use
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A modular, segmented display face built from short horizontal dash units arranged on a tight grid. Strokes are monoline in feel, with terminals consistently squared off by the dash structure, producing a crisp, quantized edge. Proportions are condensed and vertically emphatic, with compact apertures and a distinctly stepped treatment of curves and diagonals. Spacing reads even but the segmented construction creates a deliberate texture and a slightly perforated, rhythmic color across lines of text.

Best suited to display typography where the segmented pattern can be appreciated: interface labels, instrument-style graphics, tech-themed branding, posters, album/film titles, and packaging accents. It also works well for short, high-contrast callouts and numbering systems where a distinctive, coded readout texture is desired.

The overall tone is technical and instrument-like, recalling readouts, labelling, and machine interfaces. Its broken-stroke rhythm adds a coded, computed character that feels precise and slightly gritty, leaning toward retro-futurist and industrial signage rather than warm editorial typography.

The design appears intended to mimic segmented or printed-machine output by substituting continuous strokes with evenly spaced dash elements. It prioritizes a consistent modular rhythm and a compact footprint, aiming for an engineered, screen-native look that remains legible while clearly expressing its quantized construction.

In text, the repeated dash units generate a strong horizontal scanline effect that becomes part of the voice of the typeface. Curved characters (like C, G, S, and 0) maintain recognizability through stepped contouring, while diagonals (like K, X, and Z) appear more angular and engineered. The dotted structure makes the face most comfortable at sizes where the dash pattern remains clearly resolved.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸