Slab Unbracketed Tuno 2 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: editorial, book design, magazines, invitations, branding, refined, bookish, airy, classical, poised, elegant text, italic emphasis, literary tone, premium feel, classic styling, slab serif, unbracketed, calligraphic, delicate, open counters.
This typeface is a very slender italic slab serif with crisp, unbracketed square terminals. Strokes are consistently fine, with only subtle modulation, and the italic angle is steady across capitals, lowercase, and figures. Serifs read as thin horizontal slabs that sit cleanly on stems, while curves are smooth and generous, producing open bowls and counters. Proportions are elegant and slightly narrow in the capitals, with a lively, handwritten rhythm in the lowercase; ascenders are relatively tall and the overall spacing feels light and breathable.
It performs best in refined editorial settings where an italic voice is needed—pull quotes, forewords, captions, and short passages in books or magazines. It can also work for elegant identity systems, invitations, and packaging where a light, cultivated typographic personality is desired, especially at moderate sizes with ample leading.
The overall tone is sophisticated and literary, combining the formality of a slab serif with the gentler movement of italic writing. Its thin construction and graceful slant give it a quiet, cultivated presence suited to premium, understated typography rather than loud display.
The design appears intended to deliver an italic slab serif that feels formal yet handwritten, pairing crisp, square-ended serifs with smooth, calligraphic curves. The goal seems to be an airy, high-end texture that reads as classic and cultured while remaining distinctive in longer lines of text.
Distinctive details include the crisp slab feet on letters like I, J, L, and T, the flowing italic joins in letters such as n and m, and the large, rounded forms of O/Q and 8. Numerals are similarly light and elegant, with an old-style feel in their drawn curves and diagonals, maintaining the same delicate color as the text.