Sans Other Ofry 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Sagan' by Associated Typographics (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, sports branding, industrial, techno, arcade, futuristic, utilitarian, impact, tech aesthetic, geometric consistency, display clarity, rectilinear, octagonal, angular, monoline, compact.
A heavy, rectilinear sans built from straight strokes and squared curves, with frequent chamfered corners that create an octagonal silhouette in rounds like O, C, and G. Strokes are consistently thick and largely monoline, producing solid, poster-like color and crisp internal counters. Curves are minimized in favor of stepped or clipped joins, and terminals tend to end flat with occasional notch-like cut-ins. Lowercase forms echo the uppercase with simplified, boxy structures and a single-storey a; numerals are similarly geometric with squared bowls and sharply defined angles.
Best suited to headlines, branding marks, and short display settings where its angular geometry can read as a deliberate style choice. It also fits interfaces and packaging that aim for a technical or arcade-inspired voice, and can work well for signage or sports/industrial themes when used at medium-to-large sizes.
The overall tone is assertive and mechanical, with a distinctly digital/arcade flavor. Its angular construction suggests engineered precision and a retro-futurist sensibility rather than humanist warmth, giving it a bold, utilitarian presence.
The font appears designed to deliver maximum visual punch with a modular, engineered construction. Its chamfered, rectilinear forms aim to evoke technology and machinery while maintaining a coherent, highly graphic rhythm across the character set.
The design leans on repeated geometric motifs—right angles, clipped corners, and rectangular counters—creating a strong, consistent rhythm across letters and figures. The condensed interior spaces and blocky shapes favor impact and legibility at larger sizes, while the sharp geometry can feel dense in long paragraphs.