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Free for Commercial Use

Sans Superellipse Akby 4 is a regular weight, narrow, low contrast, upright, tall x-height font.

Keywords: ui labels, signage, data display, packaging, headlines, technical, modern, utilitarian, clean, industrial, space saving, system clarity, geometric uniformity, technical branding, condensed, rounded corners, monoline, squared curves, open apertures.


Free for commercial use
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This typeface is a condensed, monoline sans with rounded-rectangle construction: curves resolve into softened corners and superelliptical bowls rather than true circles. Strokes are even and low-contrast throughout, with a generally vertical, disciplined skeleton and compact sidebearings that create a tight rhythm in text. Uppercase forms are tall and narrow, with squared-off terminals and simplified geometry; the lowercase follows suit with a high x-height and minimal modulation, keeping counters relatively rectangular and orderly. Numerals echo the same rounded-rect geometry, reading crisp and schematic with consistent stroke thickness and squared turns.

It suits interface typography, dashboards, and labeling where space is constrained and a compact, orderly texture is beneficial. The structured geometry also works well for signage, technical branding, and packaging that aims for a modern, industrial presentation. In editorial contexts it is most convincing for headings, captions, and short blocks where its condensed rhythm supports hierarchy without ornament.

The overall tone is contemporary and engineered, with a clean, systemlike feel that suggests instruments, interfaces, and structured information. Its narrow proportions and squared curves add a slightly futuristic, industrial edge while staying neutral enough for practical use.

The design intent appears to be a space-efficient, highly consistent sans that relies on rounded-rectangle geometry to maintain a modern, technical identity. It prioritizes uniform stroke weight, repeatable shapes, and a high x-height to deliver a clear, compact voice across letters and numbers.

In continuous text the tight spacing and condensed proportions create a dense, vertical texture, while the rounded corners prevent the geometry from feeling overly sharp. The forms look optimized for clarity and consistency rather than expressive calligraphy, with many shapes built from repeated straight segments and controlled radii.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸