Print Nukim 1 is a light, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, packaging, book covers, headlines, labels, handmade, rustic, quirky, bookish, casual, handmade feel, human warmth, rustic texture, informal voice, expressive display, rough-edged, inked, wobbly, irregular, textured.
This typeface has a hand-drawn, inked construction with noticeably irregular contours and softly ragged edges that suggest a textured stroke. Letterforms are upright and mostly monolinear in feel, but with subtle, uneven thick–thin shifts and wobbly curves that create a lively rhythm. Proportions vary from glyph to glyph, with slightly inconsistent widths, open counters, and gently uneven baselines and cap heights that reinforce the natural, drawn-by-hand character. Numerals and punctuation follow the same organic, slightly distressed outline treatment, keeping the overall set visually cohesive.
It suits display applications where a handmade voice is desirable—posters, packaging, labels, and editorial headlines—especially for brands or content aiming for a crafted, personable feel. Short paragraphs are possible, but it will read best when given comfortable size and spacing so the textured outlines don’t visually crowd.
The overall tone is informal and human, with a crafty, rustic energy that feels approachable rather than polished. Its roughened outlines add a lightly vintage, storybook flavor, making text feel personal and tactile—like notes written with a worn marker or pen.
The design appears intended to mimic hand-rendered print lettering with an intentionally imperfect outline, prioritizing warmth and personality over typographic precision. Its consistent rough texture and gently irregular proportions suggest a goal of creating an authentic, drawn look that remains legible and versatile for expressive copy.
Round letters (like O/C/G) show uneven circularity and organic closure points, while straight strokes (like E/F/T) retain slight waviness rather than rigid geometry. The texture is consistent enough for continuous reading at display-to-text sizes, but the deliberate irregularity remains prominent and is part of the font’s personality.