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Free for Commercial Use

Stencil Gyji 5 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Raviona' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, authoritative, military, retro, utilitarian, stencil aesthetic, compact impact, marking look, graphic texture, condensed, high-contrast, segmented, vertical, graphic.


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A condensed, all-caps-forward stencil design built from thick vertical stems and clipped curves. Letterforms are highly segmented with consistent internal gaps that create strong stencil bridges, producing a rhythmic, column-like texture across words. Curves are simplified into bold, rounded terminals and notches, while counters are tight and often vertically oriented, keeping the silhouette compact and emphatic. Numerals and punctuation follow the same cut-and-bridge logic, maintaining an even, mechanical consistency in headlines and short lines of text.

Works best for posters, headlines, and branding elements that need a tough, industrial voice. It also suits packaging, wayfinding, and label-style graphics where a stencil motif reinforces themes of utility, machinery, or logistics. For longer passages, larger sizes and generous spacing help preserve clarity and reduce the dense vertical texture.

The overall tone is industrial and authoritative, with a utilitarian, engineered feel reminiscent of marking, signage, and stamped labeling. Its repeated breaks and tall silhouettes give it a regimented cadence that reads as disciplined and robust, with a subtle retro edge.

The design appears intended to deliver maximum impact in a compact width while clearly expressing a stencil construction. Its consistent bridges and simplified curves suggest a focus on reproducible, marking-inspired letterforms that remain cohesive across uppercase, lowercase, and numerals.

The stencil gaps are prominent enough to become a defining pattern, especially in longer strings, where the repeated vertical stems can create a strong banding effect. The design favors impact and uniformity over open counters, making it most comfortable at display sizes where the internal breaks remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸