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Sans Superellipse Kari 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Along Sans Grande' by Brenners Template, 'Lekra SS' by Sensatype Studio, and 'Goodland' by Swell Type (names referenced only for comparison).

Keywords: headlines, sports branding, posters, logos, packaging, sporty, aggressive, dynamic, industrial, retro-futurist, impact, speed, space-saving, branding, display, condensed, slanted, blocky, rounded corners, compact spacing.


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A condensed, heavy sans with a consistent forward slant and rounded-rectangle construction. Strokes are thick and even, with compact counters and soft corner radii that keep the forms smooth despite the mass. Terminals are mostly squared-off with subtle rounding, and the curves read as superelliptical rather than purely circular, giving letters like C, O, and S a “squircle” feel. The overall rhythm is tight and uniform, with sturdy verticals, minimized apertures, and a slightly mechanical geometry that stays coherent across caps, lowercase, and numerals.

Best suited to display typography where immediacy and momentum matter—headlines, posters, sports and esports identities, product branding, and bold packaging. It also fits UI moments that need a punchy, directional tone (e.g., hero banners, promotional tiles) when set with adequate size and spacing.

The font projects speed and impact: assertive, high-energy, and slightly utilitarian. Its slanted, compressed silhouette evokes motorsport and action branding, while the rounded corners add a contemporary, techy friendliness rather than sharp aggression.

The design appears intended to deliver maximum visual impact in a compact width, pairing a fast italic stance with rounded, superelliptical forms for a modernized “racing” aesthetic. It prioritizes strong silhouette and uniform texture, aiming for bold readability and brandable character in short phrases and titles.

The density of the letterforms and narrow internal spaces makes the design feel powerful at display sizes; at smaller sizes, the tight apertures and counters may require more generous tracking and line spacing to preserve clarity. Numerals match the same condensed, forward-leaning stance for consistent headline and scoreboard-style settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸