Font Hero

Free for Commercial Use

Sans Superellipse Pybav 7 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Neue Rational Condensed' by René Bieder, and 'Ordina' by Schriftlabor (names referenced only for comparison).

Keywords: ui labels, signage, posters, brand systems, dashboards, modern, utilitarian, clean, technical, neutral, space efficiency, system clarity, modern neutrality, geometric coherence, condensed, rounded corners, closed apertures, compact, uniform strokes.


Free for commercial use
Customize the font name

This typeface is a condensed sans with uniform stroke weight and softly squared, superellipse-like curves. Round letters such as C, O, and G read as rounded-rectangle forms, while verticals stay straight and steady for a compact, efficient rhythm. Terminals are mostly blunt and clean, with minimal shaping, and counters are relatively tight, giving the design a dense, controlled texture in text. Uppercase proportions are tall and narrow, and the lowercase keeps straightforward construction with simple bowls and a pragmatic, engineered feel.

It performs well where horizontal space is limited—UI labels, navigation, and data-dense dashboards—while remaining legible at display and subhead sizes. The compact, geometric rhythm also suits contemporary posters, wayfinding, and brand systems that want a clean, efficient voice with subtly softened corners.

The overall tone is modern and matter-of-fact, prioritizing clarity and economy of space over expressiveness. Its rounded-rectilinear geometry adds a subtle contemporary softness, keeping the voice friendly without becoming playful. The result feels suited to systems, interfaces, and functional communication where neutrality is an asset.

The design appears intended to deliver a contemporary, space-saving sans built from rounded-rectilinear geometry. Its consistent strokes and compact proportions suggest an emphasis on systematic clarity and dependable repetition across letters and numbers.

In the sample text, the condensed width produces a vertical emphasis and strong column-like alignment, while the low contrast and consistent curves maintain a stable, even color across lines. The numeral set matches the same compact, squared-round logic, supporting a cohesive typographic palette for mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸