Sans Faceted Ompu 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, album covers, techno, futuristic, angular, geometric, edgy, sci‑fi styling, industrial tone, geometric clarity, display impact, faceted, chamfered, polygonal, octagonal, wireframe-like.
A sharply faceted, geometric sans with monoline strokes and a consistent chamfered construction that substitutes curves with short straight segments. Counters and bowls read as angular polygons (often octagonal), producing a crisp, cut-metal look across rounds like O/C/G as well as numerals. Uppercase forms are compact and narrow with pointed joins and straight-sided terminals, while lowercase maintains a similar skeletal simplicity with occasional distinctive, hard-angled hooks and diagonals. Spacing appears moderate and the overall rhythm is crisp and mechanical, with legibility favored in display sizes where the facets remain clear.
Best suited to display typography such as headlines, posters, branding marks, and packaging where its faceted construction can be appreciated. It also fits game titles and UI styling for sci‑fi or industrial themes, as well as event graphics and merchandise where a sharp, technical voice is desired.
The font conveys a futuristic, engineered mood—cool, precise, and slightly aggressive due to its sharp corners and blade-like terminals. Its faceted geometry suggests sci‑fi interfaces, industrial labeling, and retro-digital aesthetics rather than warmth or humanist softness.
The design intention appears to be a clean, modern sans reimagined through planar facets—delivering a mechanical, sci‑fi tone while keeping strokes even and letterforms structurally straightforward for recognizable reading at larger sizes.
Diagonal joins and angular apexes are a defining motif, creating a consistent ‘chiseled’ silhouette across letters and figures. Round characters and punctuation-free sample text show the design’s strength in headlines and short bursts, where the polygonal counters and sharp terminals read as intentional stylistic texture.