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Slab Square Udniz 5 is a regular weight, normal width, low contrast, italic, normal x-height font.

Keywords: book typography, editorial text, magazines, academic publishing, brand voice, editorial, bookish, classic, scholarly, understated, text readability, editorial emphasis, classic tone, robust elegance, slab serif, bracketed, calligraphic, ink-trap-like, transitional.


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An italic slab serif with a steady, low-contrast stroke and a gently modulated, calligraphic flow. Serifs are sturdy and mostly squared, often softly bracketed into the stems, giving terminals a planted, dependable feel rather than razor-sharp delicacy. The italic slant is consistent and readable, with open apertures and rounded bowls that keep counters clear. Proportions lean moderately wide with varied letter shapes, and spacing feels even, producing a smooth text rhythm. Figures follow the same italic construction with simple, legible forms and stable baselines.

Well suited to book and magazine typography, especially for immersive reading where an italic is used frequently for emphasis, quotations, or foreign terms. It can also serve in academic or institutional materials that need a traditional tone with sturdy, consistent letterforms. At larger sizes it can work for refined headlines or pull quotes that benefit from an assertive slab-serif presence without excessive contrast.

The overall tone reads literary and editorial—confident and traditional without feeling ornate. It suggests a voice suited to long-form reading and institutional credibility, with an approachable warmth from the soft bracketing and gentle curves.

Likely designed to provide a highly readable italic companion with the solidity of slabs and the smooth cadence of a text face. The intention appears to be a dependable, classic italic that maintains clarity in continuous settings while conveying a serious, editorial character.

The design balances robust slabs with relatively open interior spaces, avoiding a heavy, clunky texture in paragraphs. Diagonal stress and rounded joins help maintain fluidity despite the strong serif presence, and the italics feel purpose-built for continuous text rather than purely decorative emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸