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Free for Commercial Use

Outline Orpy 2 is a very light, wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, sports branding, event graphics, titles, sporty, retro, futuristic, technical, dynamic, speed emphasis, display impact, retro-tech styling, branding utility, oblique, geometric, rounded corners, monoline outline, slanted terminals.


Free for commercial use
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A forward-leaning outline face built from monoline contours with open counters and consistent stroke drawing. Letterforms are wide and slightly extended, with rounded corners and squared-off curves that create a crisp, engineered silhouette. Terminals are clean and often slanted to match the overall oblique momentum, while curves (C, G, O, Q, S) read as softly rectangular rather than purely circular. The rhythm is even and legible at display sizes, with simplified interior shaping and a strong emphasis on outer contour.

Best suited to display typography where the outline effect can stay crisp: headlines, posters, title cards, and large-format graphics. It also fits sports branding, racing-themed visuals, and tech-forward event materials, especially when paired with solid fills, color overlays, or layered treatments. For small sizes, it will read more reliably with ample scale and contrast against the background.

The font conveys speed and precision, combining a sporty, motorsport-like attitude with a clean retro-tech feel. Its outlined construction gives it a lightweight, airy presence while the oblique stance adds urgency and motion. Overall it feels energetic, modern, and slightly arcade-like without becoming playful.

The design appears intended to deliver a fast, streamlined display voice through oblique, wide proportions and a consistent outline construction. Its geometry balances rounded corners with firm angles to suggest engineered motion, making it well suited for contemporary, high-energy branding and titling.

Caps and figures share a consistent, aerodynamic geometry that keeps spacing and color stable despite the open interior. Diagonals and joins are handled with clean angles, and the outline treatment remains uniform across straight and curved strokes, which helps the set feel cohesive in longer lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸