Sans Faceted Orma 2 is a regular weight, narrow, low contrast, upright, short x-height font.
Keywords: display, headlines, posters, logos, ui labels, techno, industrial, futuristic, mechanical, retro sci-fi, geometric stylization, tech aesthetic, signage feel, modular system, octagonal, angular, chamfered, monoline, modular.
A geometric, faceted sans built from straight strokes and chamfered corners, replacing curves with crisp planar cuts. Strokes read essentially monoline, with square terminals and frequent 45° bevels that create an octagonal, engineered silhouette. Counters are compact and mostly rectangular, and joins stay rigid and orthogonal, giving the alphabet a modular, constructed feel. The rhythm is tight and vertical, with simple, single-storey lowercase forms and straightforward, segmented numerals.
This font performs best in short, prominent settings where its angular construction can be appreciated: headlines, posters, branding marks, product names, and on-screen labels. It also suits interface-style graphics, game/film titling, and signage-inspired layouts where a precise, engineered voice is desirable.
The overall tone is technical and machine-made, evoking digital signage, industrial labeling, and retro-futurist interfaces. Its sharp facets and clipped curves add a slightly aggressive, high-precision character that feels suited to sci‑fi and electronic aesthetics rather than warm or organic settings.
The design appears intended to translate a sans-serif skeleton into a faceted, hard-edged system, emphasizing chamfered geometry and modular consistency over traditional curves. It prioritizes a distinctive techno texture and clear, constructed shapes for attention-grabbing display typography.
Diagonal strokes (as in K, V, W, X, Y, Z) appear as straight cuts that maintain the same faceted logic as the rounded letters, keeping the design consistent across the set. In text, the repeated chamfers create a distinctive sparkle along horizontal and vertical runs, which increases personality but can also make long passages feel busy at smaller sizes.