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Free for Commercial Use

Blackletter Igre 3 is a very bold, normal width, high contrast, italic, normal x-height font visually similar to 'Whisky Italics' by Corradine Fonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, titles, medieval, dramatic, playful, theatrical, rowdy, thematic display, historical flavor, expressive texture, bold impact, angular, calligraphic, wedge serifs, swashy, irregular rhythm.


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A very heavy, calligraphic display face with blackletter-inspired construction and a distinctly hand-drawn, forward-leaning stance. Strokes show strong thick–thin modulation with tapered joins and wedge-like terminals, producing sharp internal angles and pinched counters. The outlines feel intentionally uneven and animated, with subtle waviness and varying stroke tension that creates a lively, irregular texture. Uppercase forms are compact and blocky with decorative cuts and vertical emphasis, while the lowercase is rounder and more bouncing, contributing to a mixed rhythm across words. Numerals are chunky and stylized, matching the same angular, inked look.

Best suited for short display settings such as posters, title treatments, logo wordmarks, event branding, or packaging that benefits from a medieval or fantasy flavor. It reads most confidently at larger sizes, where the high-contrast modulation and decorative cuts have room to show; for extended text, its heavy weight and irregular rhythm can become visually dominant.

The overall tone is medieval and theatrical, evoking tavern signage, storybook headings, and fantasy set dressing. Its exaggerated weight and lively slant add swagger and humor, making it feel bold, rowdy, and attention-seeking rather than formal or restrained.

The design appears intended to reinterpret blackletter through a bold, hand-inked lens—keeping the angular construction and dramatic contrast while adding a playful, irregular swing. It prioritizes character and impact over neutrality, aiming to create instantly thematic, attention-grabbing typography.

Spacing appears somewhat idiosyncratic from glyph to glyph, reinforcing a handmade feel and a dynamic, uneven word silhouette. The dense black shapes and sharp notches create strong figure–ground contrast, especially in larger sizes where the internal cuts and modulation become more legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸