Sans Superellipse Otmaz 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'Aspire Narrow' by Grype, 'Refinery' by Kimmy Design, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, tech, assertive, modern, utilitarian, impact, modernization, clarity, geometric branding, squared, rounded corners, compact, closed apertures, blocky.
A heavy, geometric sans built from squared-off, superellipse-like forms with consistently rounded corners. Strokes are uniform and sturdy, with broad curves turning into flat terminals and frequent right-angle structure, producing a compact, blocky silhouette. Counters tend to be tight and more rectangular than circular (notably in O, 0, and 8), and joins are firm and mechanical. Lowercase uses single-storey a and g, with short, robust arms and minimal modulation, keeping the texture dense and highly legible at display sizes.
Best suited for headlines, logos, labels, and signage where a firm, contemporary presence is desired. It will also work well for product branding and packaging that leans toward tech, manufacturing, or sports aesthetics, especially in short phrases and bold typographic lockups.
The overall tone is industrial and technical, with a no-nonsense voice that feels engineered rather than handwritten or humanist. Its rounded-square geometry softens the weight slightly, but the dominant impression remains strong, functional, and modern.
The design appears intended to deliver maximum impact through simplified geometry: rounded-square construction, consistent stroke weight, and tightly controlled counters that read clearly and feel engineered. The aim is a distinctive, modern sans that stays practical while projecting strength.
Numerals echo the same rounded-rectangle construction, with the 0 and 8 especially squared in their internal shapes. Diacritics aren’t shown, but punctuation in the sample suggests a similarly heavy, squared treatment that matches the letterforms. The dark color and compact spacing create a strong typographic “mass,” making it visually commanding in headlines.