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Free for Commercial Use

Solid Abra 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' and 'Artegra Soft' by Artegra, 'Oxford Street' by K-Type, 'Peperoncino Sans' by Resistenza, and 'Ordina' by Schriftlabor (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, branding, retro, playful, punchy, whimsical, sturdy, standout display, graphic impact, quirky tone, retro flavor, logo voice, rounded, blobby, compact, chunky, soft-edged.


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A compact, heavy display face built from simplified, almost stencil-like shapes with large filled masses and selectively pinched counters. Curves are broadly rounded and often asymmetrical, while straight strokes are thick and blunt, creating a carved, cut-paper feel rather than a geometric one. Many letters show collapsed or minimized internal openings (notably in bowls and apertures), and terminals tend to end in flat, squared cuts with occasional notch-like joins. The rhythm is intentionally uneven across characters, giving the alphabet a handmade, irregular texture despite consistent overall heft.

Best suited for posters, headlines, logos, packaging, and short branding phrases where its solid shapes and unusual counter structure can act as a graphic element. It can also work for playful signage or title treatments when used at generous sizes and with comfortable tracking.

The tone is bold and cheeky, with a retro novelty flavor that reads as quirky and attention-seeking. Its filled-in interiors and chunky silhouettes make it feel mischievous and slightly cryptic, like signage meant to be seen quickly rather than read quietly.

The design appears aimed at creating maximum visual impact through chunky silhouettes and intentionally collapsed counters, trading conventional readability for a distinctive, emblem-like presence. The irregular details and softened geometry suggest a desire for a friendly, vintage-leaning display voice that stands out in a crowded layout.

At larger sizes the distinctive silhouettes and odd counter treatment become the primary identity. In longer text, the reduced openings and tight interior spaces can make certain letters and numerals feel dense, so spacing and size will strongly influence clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸