Sans Superellipse Taboj 2 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Coastal' by Arkitype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Lektorat' by TypeTogether, and 'Chigo' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, signage, industrial, rugged, poster-like, vintage, high impact, space-saving, vintage print, added texture, condensed, blocky, rounded corners, soft terminals, distressed texture.
A condensed, heavy sans with rounded-rectangle construction and softened corners that keep the mass from feeling overly rigid. Strokes are thick with subtly modulated joins, and counters are tight, giving the alphabet a compact, forceful rhythm. Many glyphs show a deliberate worn/ink-break texture—small nicks and irregular voids within the black shapes—creating a printed, weathered finish. Numerals and capitals share the same tall, compressed proportions, while lowercase forms stay straightforward and utilitarian, favoring simple bowls and short apertures for density.
Best suited to bold headlines, poster typography, labels, and branding where a compact, high-impact voice is needed. It can work well for signage and packaging that aims for an industrial, vintage, or handcrafted print feel, and it’s particularly effective in short phrases and all-caps settings.
The overall tone is tough and workmanlike, with a throwback, shop-stencil/letterpress attitude. Its worn texture adds grit and authenticity, suggesting age, handling, or imperfect printing rather than pristine digital sharpness.
The design appears aimed at delivering maximum punch in a narrow footprint while maintaining friendly, rounded geometry. The distressed detailing suggests an intention to evoke analog printing or worn surfaces, adding personality and grit to otherwise clean, blocky forms.
The condensed width and dense internal spacing make it read as a strong display face, especially in all caps. The texture becomes more noticeable as size increases, where the roughness reads as intentional character rather than noise.