Sans Superellipse Abdap 11 is a regular weight, wide, medium contrast, upright, tall x-height font visually similar to 'Isotope' by Hoefler & Co. (names referenced only for comparison).
Keywords: ui design, app branding, tech identity, signage, dashboards, techy, clean, structured, futuristic, neutral, modernize geometry, system consistency, screen clarity, brand neutrality, rounded corners, superelliptic, squared rounds, monolinear, open apertures.
A geometric sans built from superelliptic, rounded-rectangle forms, with softly squared curves and straight, confident verticals and horizontals. Strokes are largely monolinear, with clean joins and minimal modulation, giving the alphabet a consistent, engineered rhythm. Counters tend to be squarish-rounded, terminals are blunt, and curves resolve into flat-ish transitions rather than fully circular bowls. The lowercase shows a large x-height and simplified constructions, while figures and capitals keep the same compact, rectilinear curvature, producing a uniform, UI-friendly texture in lines of text.
Well-suited to digital interfaces, dashboards, and product ecosystems where a clean, technical sans is needed. It can also work for contemporary brand identities, packaging with a modern edge, and environmental graphics that benefit from clear, squared-round letterforms and steady rhythm.
The overall tone feels contemporary and technical, with a calm, matter-of-fact voice. Its rounded-square geometry reads modern and slightly futuristic, suggesting product design, interfaces, and systems thinking rather than humanist warmth.
The design appears intended to merge geometric clarity with softened corners, delivering a modern sans that feels engineered yet approachable. By relying on superelliptic curves and blunt terminals, it aims for high consistency across letters and numbers, supporting clear, contemporary communication in screen-forward contexts.
The superellipse logic is especially apparent in rounded letters and digits, where corners are softened but remain distinctly squared, helping maintain crisp alignment and a tidy grid-like impression. In text, spacing appears stable and the forms stay legible at display-to-text sizes due to open shapes and straightforward letter construction.