Print Annuh 2 is a light, narrow, low contrast, upright, short x-height font.
Keywords: children’s books, packaging, greeting cards, posters, social graphics, friendly, playful, casual, handmade, quirky, human warmth, casual readability, handmade texture, friendly voice, monoline, rounded, loose, lively, slightly irregular.
This font presents a monoline, hand-drawn print style with softly rounded terminals and subtly uneven stroke flow that preserves a natural marker/pen feel. Letterforms are upright with a relaxed rhythm, showing small inconsistencies in curvature and proportion that read as intentional and human rather than mechanical. Counters are generally open and simple, and curves tend to be smooth and generous, while straight strokes retain a slight wobble that adds warmth. Numerals follow the same informal construction, with uncomplicated shapes and a consistent, lightly drawn presence.
It works well for short to medium text where a casual handwritten voice is desirable—such as kids’ and hobby-oriented materials, packaging copy, invitations, labels, and informal editorial callouts. In display sizes it can add charm to headings and quotes, while at moderate sizes it remains legible for friendly body copy in low-density layouts.
The overall tone is approachable and personable, with a lighthearted, everyday character that feels like neat handwriting rather than formal typography. Its gentle irregularities and rounded forms suggest friendliness and informality, making text feel conversational and inviting.
The font appears designed to capture a clean, readable handwritten print with enough irregularity to feel authentic, prioritizing warmth and approachability over precision. Its consistent monoline construction and simple shapes suggest an intention to be versatile for everyday design contexts that need a human touch.
The design maintains clear differentiation between similar glyphs through distinct handwritten constructions (notably in rounded letters and diagonals), while keeping a cohesive pen-drawn texture across caps, lowercase, and figures. Spacing and widths feel naturally varied, reinforcing the handmade cadence in longer passages.