Sans Superellipse Elra 6 is a light, narrow, medium contrast, upright, normal x-height font.
Keywords: ui labels, wayfinding, tech branding, headlines, packaging, futuristic, technical, clean, minimal, modular, digital ui, geometric system, modern utility, tech aesthetic, rounded corners, rectilinear, monoline, open counters, squared curves.
A geometric sans built from rounded-rectangle (superellipse) construction, with largely monoline strokes and consistently softened corners. Curves tend to resolve into squared, radius-driven bends rather than fully circular bowls, giving letters like O/Q/0 a capsule-like outline. Horizontal terminals are clean and flat, counters are generous and open, and the overall rhythm is compact and orderly with a slightly modular, engineered feel. Numerals and capitals echo the same rounded-rect geometry for a unified, systemlike texture across text and display sizes.
Well-suited to interface labeling, dashboards, product UI, and other contexts where crisp, engineered shapes read quickly. It also works for contemporary branding, posters, and packaging that benefit from a futuristic, modular voice, especially when set with generous tracking or used at medium-to-large sizes.
The tone reads modern and tech-forward, with a controlled, instrument-panel clarity. Its rounded corners keep it approachable, while the rectilinear curvature and even stroke behavior suggest precision, electronics, and contemporary industrial design.
The design appears intended to translate a rounded-rect, grid-based geometry into a practical sans for modern communication, balancing technical precision with softened corners for readability and warmth. Consistent construction across letters and figures suggests a focus on cohesive system design and a contemporary, digital-first aesthetic.
Distinctive superelliptical bowls and squared-off curves create a strong silhouette, especially in round characters and in forms with stepped joins such as S and G. The lowercase maintains a straightforward, functional shape language, while wide glyphs (like W) emphasize the font’s modular construction and contribute to a structured texture in lines of text.