Print Kagog 7 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: children’s books, packaging, posters, greeting cards, social graphics, friendly, playful, casual, whimsical, approachable, handwritten warmth, casual readability, playful display, human texture, rounded, bubbly, monoline, soft terminals, loose rhythm.
This font has a rounded, hand-drawn print look with smooth, monoline strokes and soft, blunted terminals. Letterforms are slightly irregular in width and spacing, creating a lively rhythm while remaining readable. Curves are dominant, counters are open and generous, and many shapes show subtle wobble and asymmetric joins typical of marker or brush-pen lettering. Uppercase forms are simple and airy, while lowercase characters maintain a consistent, informal construction with occasional exaggerated curves and loops. Numerals match the same soft, drawn quality, with straightforward shapes and friendly proportions.
It works well for cheerful headlines, labels, invitations, and short paragraphs where a friendly handwritten voice is desired. It’s especially suited to children’s content, informal retail packaging, café or bakery signage, and upbeat social or editorial graphics where warmth and approachability matter more than strict typographic uniformity.
Overall, the tone is upbeat and personable, suggesting handwritten notes, kid-friendly messaging, and lighthearted branding. The gentle curves and imperfect edges keep it from feeling corporate, leaning instead toward warm, conversational communication.
The design appears intended to mimic casual hand-lettered printing with a smooth marker-like stroke, balancing legibility with a deliberately imperfect, human feel. It prioritizes warmth and charm through rounded forms, open counters, and subtle inconsistencies that keep the texture lively.
The design favors rounded geometry over sharp corners, which helps at larger display sizes and in short text blocks. Its natural variation gives it charm, but the playful irregularity and wide, soft shapes are most effective when not set too tightly.