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Free for Commercial Use

Sans Superellipse Abnel 5 is a regular weight, wide, low contrast, upright, normal x-height, monospaced font visually similar to 'Iki Mono' by CAST (names referenced only for comparison).

Keywords: ui labels, code samples, tables, dashboards, data display, utilitarian, technical, clean, neutral, modern, clarity, system design, screen use, alignment, geometric, rounded, boxy, modular, crisp.


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This typeface is built from simple geometric strokes with rounded-rectangle curves and a consistently even stroke width. Letterforms are roomy and horizontally generous, with open counters and clear interior spacing that keeps shapes from clogging at smaller sizes. Terminals tend to be straight and decisive, while curves (notably in C, G, O, and e) feel like softened corners rather than fully circular bowls, giving the design a subtly squared, superellipse rhythm. The overall texture is orderly and uniform, and the numerals match the same modular construction for consistent color in mixed alphanumeric settings.

It performs best in structured layouts where alignment matters, such as UI components, tables, terminal-style readouts, and code or configuration snippets. The wide, open forms also make it a solid option for technical documentation, captions, and small blocks of instructional text where consistent character width helps scanning.

The tone reads pragmatic and tool-like, prioritizing clarity and predictability over expression. Its softened geometry keeps it from feeling harsh, but the overall impression remains precise and engineered—well suited to interfaces and information display where neutrality is desired.

The design appears intended to be a dependable, geometry-led workhorse with softened corners for friendliness, optimized for repetitive, aligned text and mixed alphanumeric content. Its consistent stroke behavior and modular curves suggest a focus on systematic construction and predictable rendering across sizes.

Lowercase forms favor straightforward constructions (single-storey a, open e), and punctuation in the sample shows strong baseline alignment and stable spacing. The shapes maintain a consistent width and cadence across lines, producing a grid-friendly, schematic look in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸